In addition to covering film for Women's eNews, Jennifer Merin writes the Cinema Citizen blog and is editor in chief for AWFJ.org, the website of the Alliance of Women Film Journalists, a nonprofit organization of leading female film journalists in the U.S., U.K. and Canada. She is organization's president. She is also a member of the prestigious Broadcast Film Critics Association.
Here’s a cheat sheet for the roster of female directors who are likely to make the list of Oscar nominations announced today. One of them is Kathryn Bigelow, whose latest military film is clouded by controversy over its depiction of torture.
“The Big Fix,” an angry documentary about the BP oil spill in the Gulf of Mexico, kicks off the new releases. “Hyde Park on Hudson” follows a few days later, offering a look at the female-dominated private life of Franklin Delano Roosevelt.
“Sister” offers a strong start to October film openings. But be sure to read all the way through the column and mark your calendars for “The Loneliest Planet,” opening late in the month.
September opens on a strong footing with “Girl Model,” a documentary about a 13-year-old who leaves her family in rural Siberia to work as a model in Tokyo. Also at the top of the month, “For Ellen” is another must-see.
Three superb features are coming your way this month: “2 Days in NY,” “Chicken With Plums” and “The Loneliest Planet.” Four amazing documentaries include “Dreams of a Life,” about an isolated woman found long dead in a London apartment.
July brings a steady progression of films about unconventional and complicated, challenging romance. Two of the best are “Farewell My Queen” and “Trishna.” Also highly recommended: “Ruby Sparks” and “Crazy Eyes.”
Lea Pool’s investigative documentary opening June 1 takes a hard look at the misuse of resources and limits of “cause marketing.” Later in the month “The Invisible War” shines a light on the epidemic of rape of female soldiers in the U.S. military.
“Where Do We Go Now?” and “Polisse” are in a top-notch category that could land them in the year’s top-10 lists. On another level comes an array of movies that offer an eclectic, sometimes toxic, take on motherhood.
‘Payback’ probes the human consequences of debt and is a great companion film to ‘Surviving Progress,’ which explores the serious traps of new technologies. Both offer the insight of Margaret Atwood.
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