Dan Brown’s “Da Vinci Code,” which opened as a movie on May 19, is just the latest challenge to women’s lowly status in religion. The female place in sacred history, according to a group of researchers, goes beyond wife, mother and follower.
Films coming out in the U.S. on the problem of widow abuse in India have generated their own sagas. The director of “Water” had her effigy burned in 2000 while “White Rainbow” opened in India last year amid floods and a cholera outbreak.
A U.S. filmmaker is hoping that her documentary will stir U.S. politicians to do more to alleviate fistula, an easily treated condition that has turned millions of African women into outcasts. Important screenings are planned for February and March.
College women are still more likely to experience higher rates of physical harassment, but a study shows overall that they are nearly equal to males in unwanted sexual attention, such as being flashed, mooned or made the subject of sexual rumors.
“Acting on Faith” is a new independent film that explores the convergent paths of three female activists from three different religions who are spearheading social change and grassroots activism. Second of five articles on women and religion.
Pilgrims have been flocking to Rome for the papal transition. But for over a year Italy has been seeing another pilgrimage; that of women leaving the country to find fertility treatments. Now the country faces June referendums on the matter.
In reporting on the growing number of women being infected with AIDS in the United States, journalist Sharon Sopher turned a camera lens on her own story of living with the virus.
Women are firmly in the driver’s seat of Kenya’s film industry, but that doesn’t mean they have it easy. They face adversities, but they always tell their stories and entertain their audiences.
As few female directors get big-budget assignments, festivals such as the Reel Venus festival, opening tomorrow in New York, champion woman-made cinema.
Films made by black women are adding a more positive dimension to the portrayal of African Americans. But, with gangster-and-ghetto flicks drawing the crowds, these films are often stuck on tight budgets or shelved when the money runs out.
This site uses cookies to provide you with a great user experience. By continuing to use this website, you consent to the use of cookies in accordance with our privacy policy.